Revolutionary Road

From the outset, Revolutionary Road looks like a can't miss. Sam Mendes is behind the camera. His wife, the lovely Kate Winslet, won a Golden Globe for her work in the film. She is reunited with her Titanic co-star Leonardo DiCaprio, who for my money is one of the best actors around. And lest we forget the script focuses on an unsatisfied spouse something Mendes has done beautifully in the past.

Unfortunately the movie isn't enjoyable for the average movie goer. Sure, there are some solid performances in the movie. Winslet is great and relative unknown Michael Shannon is awesome (more on that later), but the film moves so slow.

Revolutionary Road centers around April (Winslet) and Frank (Leo) Wheeler. They're a couple that used to love each other. They used to love life. Now they have kids, they're in their 30s, they live in the suburbs, and they're both sure there has to be more to life than that. Their lives change when April convinces Frank to move to Paris, but rather than be the spark to their marriage the move seems to be, it starts to cause a major division between them that eventually turns their love to hate...or at least an epiphany that they may have never really loved each other to begin with.

So there's the story. Here are my problems with the movie. Let me start by saying that I am not one to poo poo free nudity, but the less than 2 seconds that we see Zoe Kazan topless are unnecessary.



Also, she has the most unattractive breasts I have ever seen. The whole thing is really horrifying.

My next problem is that Leonardo DiCaprio, who can be great - I mean truly amazing, is just sleep walking through this movie. I don't believe him as a loving husband. I don't believe him as a jerk. I just couldn't get behind the guy in this one.

My biggest complaint though has to do with the film's ending. First, let me say that I was relieved that the film didn't end with Frank and April simply having breakfast, as it appears it's going to. That breakfast does lead to a more satisfying resolution, but we close the film on a character that we have absolutely no connection to.

What did I like about Revolutionary Road? Well, I did like the two odes to Titanic. It was a nice way for the filmmakers to acknowledge to the audience that, yes we saw that movie too. It also kind of showed you that just maybe, it was best that Jack drowned in that movie. That way he and Rose never had the chance to hate each other.

I also like Kate Winslet. Not just her acting, but the way her character was presented. Let's be honest, she is a beautiful woman.



In the early stages of the movie, Sam Mendes shoots her and dresses her in a way that makes her seem like any other girl. It isn't until April makes the decision to move to Paris that she really looks beautiful. After she realizes she wants nothing to do with Frank, we notice another change in April. Watch Winslet's dance scene with David Harbour's "Shep," and try to tell me that April hasn't changed into something of a sex pot.

Kate Winslet won a Golden Globe for her role in this movie, and it was much deserved. I hope she wins the Oscar too, but if I have to pick one actor that was compelling every second he was on screen it was Michael Shannon as the Wheeler's neighbor's uninhibited, socially unaware son. Shannon's character, John, is recently released from a mental institution and is a mix of crazy, insightful and fearless - the complete opposite from Frank and April. Where the hell is his Oscar buzz?!

Revolutionary Road isn't bad. It just isn't for a casual movie fan. I don't say that to appear snobbish or hammer home that I have a film degree (University of Alabama class of 2003). It is just that most of the enjoyable stuff is technical - choices made by director Sam Mendes rather than plot points or great performances. Also, you should know, you are going to walk out of the theatre really, really, I mean really depressed.

The Greek gives it a C.

Bolt

Okay, if you listen to the show you know that I have something of a soft spot for the Walt Disney Company. I grew up watching the movies. My family vacation was to Disney World in Orlando every year. I worked for the Disney Store while I was in college. There is probably a good chance I cannot give an unbiased review of Disney's latest offering, Bolt. Also, my wife and I don't have kids. So that means that we can't enjoy it from the stand point of being parents, which is also probably an unfair way to review the movie.

Bolt isn't all bad. It really isn't all that good though. It clocks in at just about 95 minutes and maybe 30 of those are enjoyable. The problem is they are all at the end, so by the time anything funny or visually stunning hits the screen adults are already bored out of their skulls.

The movie has good characters. Every moment Rhino the hamster is on screen is enjoyable. Pigeons are used to represent the locals in each town Bolt and his cohorts visit. The New York pigeons (which are recycled versions of the Goodfeathers from the animated series Animaniacs)



are all very funny and the Hollywood pigeons are even better. Look out for a delightful cameo from stand up comedian Nick Swardson!

Visually Bolt is at it's best when we follow Bolt, Rhino, and alley cat Mittens as they travel across America. The Las Vegas sequence is breathtaking and ends with a nice homage to Ocean's 11.

What was Bolt missing? A lot. The jokes all seemed to just kind of miss the mark. None of them were terribly funny. There was nothing about Bolt, his owner Penny, or really any other character that made me emotionally connected to them. Mittens' back story is the only one that kind of tugs at your heart strings.

I really hate this push towards digital animation. I enjoy a Pixar movie as much as anyone, but Bolt is digitally animated just for the sake of being digitally animated. It made me long for the hand-drawn Disney Classics I grew up on like Peter Pan and Pinocchio. Hell, Disney animators did things with Dumbo that are still mind blowing to this day. Digital animation takes out the innovation and invention that made Disney special and different to begin with.

I really wanted to like Bolt. I really did. I have been following the progress of the movie for a while. You can get the whole story on the film that used to be called American Dog here. Trust me, that article is more interesting than the movie.

The Greek gives it a C.

Soul Men

Based on trailers and previews it's very easy to dismiss Soul Men as just another black comedy. You might expect a lot of high pitch voices and white people being made to look like nerd, but look a little longer and think about it for a bit. You might realize that Soul Men is something all it's own.

You could mistake the new film starring Samuel L. Jackson and the late Bernie Mac as nothing more than an Afro-centric remake of Blues Brothers. You have two guys who used to be popular soul singers trying to get back on top. There are certainly elements of the John Landis classic, but the movie is also filled with elements of Ron Shelton's Play it to the Bone, the aforementioned Blues Brothers, and even a little bit of Spike Lee's The Original Kings of Comedy - because Bernie Mac brings a lot of himself and his stand up material to the role.

The movie is nothing to write home about. It's not going to bring home any awards or be included on my year end top 10 list. It is a lot of fun though. Mac and Jackson have great chemistry and play off of each other very well. The musical sequences are all very memorable. Jennifer Coolidge has a solid five minute cameo. Sharon Leal looks incredibly sexy in a role that is very similar to her role in Dreamgirls - she was the one that wasn't Beyonce or Jennifer Hudson.

The movie's biggest treat comes as the closing credits role. They are laid over a fifteen minute tribute to Bernie Mac, who died of pneumonia earlier this year. If, like me, you loved Mac in The Original Kings of Comedy and his Fox TV show, but have found his more recent work insufferable, this will remind you what you liked about Mac to begin with. The short tribute really paints the picture of what it must have been like to work with Mac, and it looks like an experience that those that had it will always cherish.

Soul Men isn't without it's down falls - the biggest of which is Affion Crockett. I wanted to walk out every time this guy popped up on screen. The other down falls are all acting related as well. Adam Herschman and Sean Hayes are just awful as this movies goofy white men.

In actuality I have more positive to say about Soul Men than I do negative, but nothing so great that I can justify pushing my grade above a B-. I do think this is the kind of movie that could get better with age. It's the kind of movie that has been missing from theatres lately - a music based comedy. Not a musical, but a comedy with great musical elements. Also, with Mac's death there is no way for producers and Hollywood executives to ruin what was fun about the original with a lack luster sequel. It sounds morbid, but to me that's a positive.

THE GREEK GIVES IT A B-.

Max Payne

I am doing my best to not seem like a film snob on this blog. That was the attitude I took with me into the Rialto on Wednesday morning when Salt & I were given an opportunity to see Max Payne. I really did try to like it. I tried to appreciate the movie for what it is - a mindless, fun action flick. I even tried to have my opinion swayed by Salt, who is more apt to enjoy a mindless action movie that I am. I texted him later in the afternoon to find out what he thought.

"It was the worst" he texted back. Wow, the worst?

I admit, what I liked about the movie was the way it was filmed. Max Payne is based on the video game of the same name, and I appreciate director John Moore's attempt to make the film look like the video game - the screen flashes red whenever Max gets hit, the film is not well lit by any means, it makes use of bullet time and there are a lot of sequences that feature Mark Wahlberg diving in slow motion.

Check out the trailer for the 2001 video game.

Hell, Mark Wahlberg even looks like the video game character a little bit, no?

My list of problems with the film begin with a biggie! There were plot holes in the script so big you could drive a cruise ship through. That's the problem with trying to adapt a video game for the big screen - a video game is usually about 6 - 8 hours of story, because they manufacturers don't expect players to hammer it out in one night. A movie (especially one like Max Payne) has 2 hours at most. Either you need a screenwriter that can work magic or you need to commit to making two movies. Max Payne employed neither strategy. Hell, I didn't even know the name of two of the main characters until the final 15 minutes of the movie.

Secondly, does Mila Kunis really need to be involved in a movie like this? I think she's funny. She's certainly beautiful, and I'm sure she's plenty talented. I just can't watch her run around firing machine guns and killing people only to have Meg Griffin's voice come out of her mouth.

Can you say an action movie based on a video game or comic book is predicable? Because that is complaint number three. The movie is completely devoid of surprises.

I started to weigh the positives and the negatives of the movie and realized that making a movie look like a video game is a fun novelty, but not something that you should be hanging your hat on. The effects and recreations of some scenes from the source material are fun, but not enough to save this turd from it's eventual destination.

So I've used a lot of words to make my point and probably wasted a lot of your time. Maybe I should have just printed Salt's second text message as my review.

"Trite. Boring. Predictable and the plot had some big holes."

The Greek gives it a D.

Choke

Hmmm...where to begin with Choke. I tried to review my notes, but I only have two.

1. I think that's Sara Silverman's sister Laura playing Paige. (It wasn't.)
2. Sam Rockwell is very funny. (He was.)

You would think that not having a ton of notes to review would mean that I enjoyed myself very much. That's not true, but I also can't say that I hated the movie. The funny moments in Choke are very funny. The problem is that the movie doesn't really have a plot, so much as it has a collection of funny moments.

Okay, that's not totally fair. Choke does have a plot - A sex addict with a mother in a home for Alzheimer's patients earns extra money by pretending to choke and have people save him. He might be the son of Jesus, and he's in love with a woman he meets at the home - it's just kind of all over the place.

I will be the first to tell you that I am not a Chuck Palahniuk reader and while I liked the film adaptation of Fight Club, I don't think it's the greatest film ever made. So, maybe it's me, but I think Choke is at it's best when it doesn't try to have a heart. The film is funniest when Sam Rockwell's Victor is having sex with strangers and we hear his voice over. If you're a Palahniuk reader you might like it more, but as for me the Greek gives it a C.

Ghost Town

Ghost Town isn't the kind of movie that's going to set the world on fire. That is one thing I can say with absolute certainty. The movie is a formulaic and predictable romantic comedy. What sets it apart from most formulaic and predictable romantic comedies is Rickey Gervais.

It's great to see England's best export since Led Zeppelin land a role in a film that keeps him on screen longer than fifteen minutes. His character, Bertrum Pincus, is the kind of role actors usually take for a quick buck. If he were played by Matthew McConaughey, Bertrum would be just another jerk, but in Gervais' capable hands his mean streak is just a little meaner. His selfishness is detestable, but in a way he is also incredibly likable.

Gervais is so good in fact, that the only time I didn't wish Greg Kinnear weren't in the film was when he shared the screen with Gervais. There is something about these movies, that makes most actors sleep walk through them. Gervais (somehow) pulls the best out of everyone he is on screen with - especially Kinnear.

It's always great to see Kristin Wiig get work, especially when she is adding another great cameo to her résumé. Like her work in Knocked Up and Walk Hard,



her role in Ghost Town provides enough laughs to make her memorable no matter how little time she spends on the screen.

The movie has a great soundtrack. You probably have to be a Hangover Cafe listener to really appreciate it, but the soundtrack is full of bouncy acoustic pop songs (honestly, the kind of soundtrack you would expect a movie like this to have) that stop short of being annoying



and is instead a real pleasure.



Like I said, Ghost Town isn't the kind of movie that's going to set the world on fire. In fact, I can pretty much guarantee that you will see at least 15 better movies this year...and that's assuming you see 20 movies this year. However, if your chick is up for a chick flick you could do a lot worse. At least Rickey Gervais will provide you with plenty of laughs. Think of him as Seth Rogen...only British...and 40.

The Greek gives it a B-.

Righteous Kill

I take pride in being able to spot the twist ending in a film long before we get there, and I'll be the first to admit that I judge those movies harshly when they telegraph their passes. So, obviously when I am duped I tend to be pretty impressed with a film.

That is definitely the case with Righteous Kill, the latest offering from new kid on the block (no pun intended...more on that to come) Overture Films. The studio opened in 2006 and based on the cast, one can guess that Righteous Kill probably sports a higher budget than anything the studio has released so far. Robert De Niro and Al Pacino are the headliners, but the supporting cast is filled with surprising performances from some big names.

The movie opens with surveillance footage of Robert De Niro's character Turk reading a murder confession. That means we know the killer gets caught, so rather than sit through the movie trying to figure out who the killer is or will he get away with it, you're watching to find out why a cop turned into a killer and just how his comrades catch him. The story isn't told with the same inventiveness of Memento, but splicing footage and voice overs from Turk's confession with footage of the murders in question and conversations that take place right before the trigger is pulled is very cool.

The acting is great. You know you're going to get something special from De Niro and Pacino might just be Heath Ledger's best competition for an Oscar so far (surprising since Pacino has been screaming his way through most roles lately). The story regarding the movie goes something like this. Robert De Niro called Al Pacino personally to ask him to be in the movie. Whatever their relationship is away from the cameras, the two are very comfortable together on camera. It's easy to believe that their characters have been partners for almost 30 years.

It's the supporting cast that really sets Righteous Kill apart from most cop dramas. John Leguizamo, who is always good, plays Simon Perez as the kind of hot head that hates De Niro's Turk because he knows that's him in 20 years. The real surprises are a couple of musicians turned actors. New Kid Donnie Wahlberg and rapper 50 Cent (billed here as Curtis Jackson) are both great! Wahlberg plays Perez's partner Ted Reiley. 50 Cent plays drug dealer Spider better than he played a stylized version of himself in Get Rich or Die Tryin'.

The movie is not without its problems, but the one that really jumps out at me can be forgiven. There are a lot of sex scenes between Carla Gugino's Detective Corelli and Turk are largely unnecessary, but any chance to see Carla Gugino in her bra is appreciated.

So you know the final resolution to the murder investigation is revealed in the first five minutes...or is it? The twist is a nice one. In fact, the twist has me considering paying to see Righteous Kill again, and for someone as cynical as me when it comes to movies, that's saying a lot.

The Greek gives it an A.